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Blog Post

Creative Process

Lee Dean • January 16, 2025
Logo Montage

The creative design process for logos

What to expect. How does it work?

 

You’ve made business critical decisions, and now you’re ready to go to market, or upgrade your look. You need an identity fast, but it was the last thing on your list.

 

The beginning.

 

The creative process is unlike any other. It relies on intuition and other intangibles and is difficult to quantify. Most artists can’t even tell you how it works universally, but they can tell you how it works for them. Most processes work on a schedule and graphic art is no different, except you never know when inspiration will strike. The hardest thing you must do is be patient. It is usually well worth it. Anyone can slap out a serviceable logo with little thought, and cheap to boot. There are many websites out there that do this, many times using a collection of clip art they have developed.

 

If you are reading this, you are probably looking for something more. Try to allow two weeks for the creative process if possible. This gives the artist time to work, put it aside and look at the work fresh. It also allows for those “ah ha!” moments. All that said, if you REALLY must have it sooner, we can do that. It may cost you a little bit more.

 

The middle.

 

This stage is where vital communication must occur between you and the designer. Ideally a logo is a distillation of everything about your company in a graphic form. For product marks, it can be straight forward. For services, it gets more complicated. If you have samples of things you like, that can always help the designer. Any preconceived notions (positive or negative) about color, style, logotype vs. mark, can be very helpful. We may execute 20 or more concepts and variations, but normally we present only the top three, with a recommendation. In most cases, the concepts will be presented in black and white. This assures you that a monochromatic version will work on any application you may have down the line, such as on a box, or napkin, or embroidery on a garment, etc. Additionally, we remove the possibility of color swaying the decision on the design. You may already have in mind whether you prefer a logotype, like the ExxonMobil logotype or more of a symbolic trademark like the Nike swoosh. Both are valid. In most cases we present both types. The presentation is most productive in person rather than over e-mail. After the first presentation, we either go to finished art or modify one of the concepts. Occasionally we start from scratch, but that is unusual if we establish parameters going in. The second round is usually where the logo is nailed down and then we go to finished art.

 

The end.

 

Once you have your new identity, what happens next?

 

You will be provided with files you can use at the very least. Some companies move on to application projects such as a brand book (or corporate identity manual), an identity summary, stationery, brochures, websites, etc. We can do those applications, but so can others. We do recommend at least an identity summary which lends guidance to anyone else down the road who might do application work.

 

On the practical side we will provide you various formats and tips on how to use them.

By Lee Dean February 21, 2025
Well, ahem, this one. All kidding aside, which KIND of company is best for logo creation might be a better way to phrase it. So, what is out there? The types below all have their pros and cons. Some should be actual convicts—back to kidding. 1. Marketing Agencies (fka Ad Agencies) I (Lee Dean) have worked in agencies. Chances are you will get good work, as the positions are quite competitive, and always have been. That may be all you need to hear. But there is a lot of overhead, the billing is sometimes murky, and the upsell will be there whether subtle or not. Bottom line is it will tend to be the most expensive route, unless you have a lot of media to buy. 2. Design Studios These tend to be smaller than agencies and therefore have less overhead. The logo work might even be better, as they tend to concentrate on branding and the visual aspects of marketing. However, the larger ones are almost indistinguishable from agencies—in fact, that’s how some agencies start out. This will still cost you, but probably not as much as an agency. Again, great work comes out of design shops. 3. Online Freelancers This could be the sweet spot in the mix. Freelancers tend to be self-starters, talented, and well-rounded in graphic design. Most have experience in agencies or design studios. Here is where the cost tends to drop, so that individuals, startups, and small businesses can afford a great logo and personal service. Cons would be the veracity of the portfolio. Ask questions about specific pieces and the involvement of the freelancer. 4. Free Online Services Okay, we’ve said it before, you get what you pay for. You may find a great logo, only to find someone else has the same one. If you’ve already invested a lot of money on items with your new logo, you may have to invest more to start over. Or sue. Or be sued. There can be several unpleasant things consequently down the road. But hey, it was cheap, right? 5. Artificial Intelligence programs Maybe someday, but it’s not there yet. We see job boards full of customers that have an A.I. produced logo that now need it fixed. Lines that should be straight are curved. Odd artifacts, that is, funny little shapes that don’t belong are generated by the program, and so on. We’ve used A.I. as an adjunct for certain purposes, but it must be staged just right, and still manually adjusted. 6. Your nephew You think that’s a joke? We wish it was. Look, don’t cave in to family pressure on something this important to your business. A good logo and brand can put your business in a class far above what amateur work can. The analogy we often use is, you don’t send your salesperson out in a shabby suit. It reflects on them and on you. It might make for an uncomfortable holiday dinner, but the kid will get over it. Encourage them to go to school, put in their dues in internships and entry-level design/production positions. If they are serious about graphic design, they will do that and most likely succeed. Meanwhile, you will have a competitive edge over those who have fallen into the “wanna be” niece artist trap, by instead using a career designer. The same goes for office personnel who have no experience or credible work.
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